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This exceptional pair of French richly carved and gilded wall appliques dates to the late 19th century. Of impressive scale, they feature a tiered backplate carved with acanthus and terminating in a pinecone finial, crowned by a detachable flaming urn (_pot à feu_). Four scrolling arms emerge with foliate details, each ending in a gadrooned bobèche. The gold leaf surface displays a beautiful patina. In addition to the expected scattered rubbing and small nicks to the gilding consistent with age, there is a slight variation in tone between the two, one showing a subtly warmer red gilt.
These appliques embody the Louis XVI Revival style favored during the late Napoléon III and Belle Époque periods, when Parisian ateliers revisited neoclassical ornament for Haussmann-era interiors. They incorporate the defining motifs of the classical style, including pots à feu, acanthus leaves, and garlands. Their generous proportions and theatrical silhouette recall 18th-century models conceived for salons and stair halls, here executed in richly carved wood rather than gilt bronze.
Impressive in both height and presence, the pair would frame a mantel or large mirror beautifully, or serve as a striking anchor in a grand entryway or stair landing. Their warm gilding catches and reflects the light, lending a gentle luminosity that animates a room. Whether fitted with tailored linen or silk shades to diffuse the glow, or displayed purely as sculptural wall ornaments, they bring ceremonial grandeur to both traditional and eclectic interiors.
Condition and patina consistent with age.
Each measures approx. 41¼" high x 29¼" wide x 19" deep
Each measures approx. 105cm high x 74cm wide x 48cm deep
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