This captivating preparatory drawing by the esteemed French sculptor and artist James Pradier (1792–1852) offers a rare opportunity to connect with the artistic process of one of the 19th century’s most celebrated neoclassical masters. Rendered in precise black ink on aged paper, the drawing portrays Diana, the Roman goddess of the hunt, in an elegant and commanding pose. With a bow in one hand and a freshly caught duck in the other, her flowing robes convey a sense of movement and divine energy, perfectly encapsulating her mythological presence.
Born in Geneva, Pradier rose to prominence in Paris as a leading figure of the neoclassical movement, earning acclaim for his ability to marry classical ideals with a sensual, romantic vitality. His sculptural masterpieces, such as The Three Graces (1831) and works for the Arc de Triomphe, solidified his reputation as a genius of form and composition.
Known for his disciplined yet innovative approach, Pradier was meticulous in his preparatory work, often creating detailed studies like this drawing to refine every nuance of his vision.
Pradier's personal life was marked by scandal and tragedy. He had a tumultuous relationship with his mistress and muse, Juliette Drouet, who later became the lover of Victor Hugo. This caused a public and personal rift. Pradier’s financial difficulties, exacerbated by his extravagant lifestyle and family responsibilities, added to his struggles.
This artwork, framed behind glass in a distressed wooden frame with a deep red mat, embodies the grace and intellect of Pradier’s artistry. A striking piece of history, it is a testament to the dedication and brilliance of one of France’s most influential sculptors. A rare treasure for collectors and enthusiasts of neoclassical art.
Condition and wear consistent with age and use.
Approx. overall 15¼" high x 12½" wide x 0¾" deep incl. frame
Approx. overall 39cm high x 32cm wide x 2cm deep incl. frame