This evocative preparatory drawing by the celebrated French sculptor James Pradier (1792–1852) portrays a scene from the myth of Hercules and the Lernaean Hydra, one of the hero’s Twelve Labors in Greek mythology.
The composition vividly depicts a muscular Hercules, raising a club high above his head as he prepares to strike the serpentine Hydra, a fearsome multi-headed creature entwined around a reclining figure, representing Iolaus, Hercules’ loyal companion in the myth.
The dramatic interplay between the figures reflects Pradier’s neoclassical grounding and his keen ability to imbue mythological themes with human dynamism and intensity.
As a dessin préparatoire (preparatory sketch), this drawing represents the artist’s careful exploration of anatomy, tension, and movement, likely intended to inform a final sculptural or painted work. The detailed rendering of musculature and the writhing serpent highlights Pradier’s mastery of classical form and his fascination with storytelling through composition.
James Pradier, born in Geneva and later rising to prominence in Paris, was renowned for his ability to harmonize the intellectual rigor of neoclassicism with the emotive power of romanticism. His works, such as The Three Graces (1831) and numerous public commissions including works for the Arc de Triomphe, solidified his reputation as one of the leading sculptors of the July Monarchy.
Pradier’s disciplined yet expressive approach is evident in this drawing, which reflects the thoughtful planning and artistic rigor that underpinned his practice.
Pradier's personal life was marked by scandal and tragedy. He had a tumultuous relationship with his mistress and muse, Juliette Drouet, who later became the lover of Victor Hugo. This caused a public and personal rift. Pradier’s financial difficulties, exacerbated by his extravagant lifestyle and family responsibilities, added to his struggles.
Presented in a simple yet handsome wooden frame, this preparatory drawing offers a fascinating insight into Pradier’s creative process and his interpretation of classical mythology. A compelling piece for collectors of fine art and enthusiasts of 19th-century neoclassical artistry.
Condition and wear consistent with age and use.
Approx. overall 6" high x 7" wide x 0¾" deep incl. frame
Approx. overall 15cm high x 18cm wide x 2cm deep incl. frame
