Pâte de verre vase - brown & beige fuchsia - Émile Gallé (1846-1904) - 15¾"

This superb cast glass vase from the Émile Gallé (1846-1904) studio dates from the late nineteenth / early twentieth century. It has several shades of red, brown, yellow and beige and the flowers inspired by fuchsias.

Extract from Wikipedia:

Émile Gallé (8 May 1846 in Nancy – 23 September 1904 in Nancy) was a French artist and designer who worked in glass, and is considered to be one of the major innovators in the French Art Nouveau movement. He was noted for his designs of Art Nouveau glass art and Art Nouveau furniture, and was a founder of the École de Nancy or Nancy School, a movement of design in the city of Nancy, France.

In 1874 the elder Gallé turned the family business, the Maison Gallé-Reinemer, over to Émile. The following year Émile married Henriette Grimm, and after years of traveling, settled permanently in Nancy. He regrouped and reorganized the divisions of faience and glass manufacture, and in 1883 built new and larger workshops for glass and faience manufacture also for making furniture. 

By 1889 he had over three hundred employees. His own office and studio was in the center of the complex. He trained the designers himself, and sent them water colors of floral designs he made in the gardens of his residence. Gallé ordered his designers to use only real flowers and plants as their models, though they could take some liberties in the final design. He wrote in 1889, "it is necessary to have a pronounced bias in favor of models taken from flora and fauna, while giving them free expression."

Gallé continued to expand his activities. In 1885 he opened his first shop in Paris at 12 rue Richter, followed by other shops in Frankfurt-am-Maine and London. He also took part on a grand scale in international expositions; beginning with the 1878 Paris Universal Exposition, where his pavilion was thirty meters long; the 1893 World's Columbian Exposition in Chicago; and especially the 1900 Paris Universal Exposition, which was the summit of his fame. His work at the Exposition was rewarded with two Grand Prizes, a gold medal, and the title of a commander in the Legion of Honor.